Chopin, a timorous lover
In October 1829, a year before leaving Warsaw on the way to Vienna for the second time, Frédéric Chopin wrote his dear friend Tytus a long letter. Part of it reads:"Perhaps to my misfortune I have found my ideal, which I worship faithfully and sincerely. Six months have now passed and I have not yet exchanged a word with her of whom I nightly dream. Whilst thinking of her I composed the Adagio of my concerto [...] It is bitter to have no one with whom one can share joy or sorrow, to feel one's heart oppressed, and to be unable to express one's complaints to any human soul,"
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| Konstanza Gladkowska (1810 - 1889) |
The ideal to which Frédéric refers – the object of his love, if it could be said – responded to the beautiful name of Konstancja Gladkowska, a graceful girl who wanted to become a soprano, and who, like Frédéric, took hours off to meet the high demands of the Warsaw Conservatoire.
On countless occasions, they ran into each other in the hallways and their gazes met, but the young Chopin, about to finish his studies, either did not have time, or was not in the mood, or simply did not dare to approach her. Although the pretexts for doing so were not lacking, as they had to attend some classes together and on more than one occasion, Frédérick played before her or even had to accompany her on the piano. But, as far as we know, the occasion for a conversation alone never came.
Our beloved Chopin is afraid to declare his love and suffers for it. Already at the age of nineteen, he has made the decision to cultivate that state of soul to keep love at bay and thereby turn it into music, in this specific case, in the Adagio of his first piano concerto. But more than a few words must have crossed, because otherwise it is not explained that Constance, shortly before Chopin left Warsaw, has written down, although as one more of those who stamp a farewell on Frédéric's album, a couple of verses, of which we transcribe here the last stanza.
"So that the laurel wreath never fades,Chopin, in love with love, has no other impulse than to write down, at the end of the verses: "Yes, they can."
you leave your dear friends, your beloved family.
Strangers will be able to appreciate you better, reward you,
but of course they can't love you more than us! "
Concerto No. 2 in F minor
Maestoso - Larghetto (14:14) - Allegro vivace (22:25)
L'Orchestre philharmonique de Radio France conducted by Mikko Franck. At the piano, the master Nelson Freire,
Frédéric Chopin's concerto in F minor bears the number two but was the first he composed, at age 19. (A few months later the second will appear, in E minor, which bears No. 1.) With a classical structure in three movements, its premiere was held on March 17, 1830. Chopin rented the Warsaw National Theater. Three days before the premiere he was flooded by joy when he found out that all the seats were sold.
The reception was warm, from audience and critics to the point that five days later he was forced to offer a second concert, with the room packed again. The second movement, larghetto, produced a great effect, for the second time. But Chopin has not got bigheaded. He writes to a friend:
"...Finally, I improvised, which greatly pleased the first tier boxes. ... I did not improvise as I should have wished to do; it would have been not for that public. Nevertheless, I am surprised that the Adagio was so generally admired; wherever I turn, I hear only about the Adagio. [An attendant] asked me for my portrait, but I could not allow that, as it would be too much at once, and I don't want anyone to wrap up butter in me..."
