Shortly after the beginning of the relationship that would keep them in close epistolary contact for thirteen years, Nadezhda Filaretovna von Meck sent Pyotr Ilyich Tchaikovsky the first of many notes offering the composer her mansion at the Villa Oppenheimer, in Florence, so that he could enjoy its splendid comforts and compose at his leisure:
"My villa is surrounded by terraces and gardens with antique statues. The archangel Saint Michael stands guard over a fountain that discreetly breaks the silence... Beyond, stretches a beautiful olive grove and a little forest that autumn has dressed in silver, through which the bell towers of Florence peek out... On the horizon the Apennines are silhouetted... Come here, my dear friend, and you will have adequate shelter..."
Nadezhda von Meck (1831 - 1894) |
P.I. Tchaikovsky (1840 - 1893) One of his last portraits |
But in the summer of 1890, having long since become a European celebrity, the composer chose to spend a few days of rest in his own country house. There he began to write a sextet full of memories of Florence, which he titled Souvenir de Florence. Unaware of what was coming, he sent a note to Nadezhda Filaretovna telling her about his plans:
Sextet for Strings in D minor, Souvenir de Florence
Written for two violins, two violas, and two cellos, it was not premiered until the end of 1892, a few months before the death of its composer. Happy conjunction of Russian and Italian airs, it is a very beautiful work, stylized and elegant; it seems to be the fruit of happy days in Pyotr Ilyich's life.
The rendition is by Janine Jansen and Friends ensemble, led, of course, by the Dutch violinist Janine Jansen.
It lasts about 35 minutes, and its movements are:
00 Allegro con spirito
10:50 Adagio cantabile e con moto
21:12 Allegretto moderato
27:47 Allegro con brio e vivace