The celebrated instrumental piece popularly known as Bach's "chaconne in D minor" is the fifth and last movement of the Partita No. 2 in D minor, BWV 1004, composed around 1720 while the master, in his thirties, was a chapel master at the modest court of Köthen, where he remained for six years, from 1717 to 1723. Written for solo violin, without accompaniment, the work is one of the most complex, extensive, and demanding ever written for the instrument.
The violin
In Bach's time, the violin, recently invented in the middle of the 16th century, had reached its peak. Composers and instrumentalists such as Arcangelo Corelli and Giuseppe Torelli raised the art of violin music to new heights, supported by instruments from the hands of the master craftsmen Amatti, or Stradivari. Thus, the instrument succeeded in creating the interpreter as well. And together they created a different musical world that involved a new way of composing music for the violin.
The rendition is by the late Russian master Nathan Mirounovich Milstein.
Six solos for violin
Of course, Bach was not the first to compose music for solo violin. He was at least preceded by two German composers, J.J. Walther and J.G. Pisendel, the latter considered the greatest violinist of his time and whom Bach had the opportunity to meet in Weimar. But it will be Johann Sebastian who will take the genre to the highest perfection with the three sonatas and three partitas grouped in the Six Solos for Violin, whose autograph pages are preserved until today, pointing out in its title: "Sei solo a violino senza basso acompagnato. Libro Primo da Joh Seb Bach, ao 1720".
Partita No. 2 in D minor - Chaconne
Although the term is Italian, partita is the name by which the suite was known in Germany. The partita No. 2 includes an allemande, a courante, a sarabande, a gigue, and finally the chaconne, a movement with theme and variations that, unusually, Bach has extended to more than half the length of the complete partita. The basic theme consists of only four bars. Increasing the complexity of such a scarce bunch of music, Bach will add 64 variations to build almost fifteen minutes of the most sublime music in history, hailed by countless subsequent composers who have developed arrangements for the most diverse instruments or groups of these.
Brahms' opinion
One hundred and fifty years after its composition, Johannes Brahms wrote:
One hundred and fifty years after its composition, Johannes Brahms wrote:
"The chaconne is in my opinion one of the most wonderful and mysterious works in the history of music. By adapting the technique to a small instrument, a man describes a whole world with the deepest thoughts and the most powerful feelings. If I could imagine myself writing, or even conceiving such a work, I am sure that the extreme excitement and emotional tension would drive me mad."
The rendition is by the late Russian master Nathan Mirounovich Milstein.
